In Omegle Picasso I cam chat with anonymous people under the guise of a vintage photograph of Pablo Picasso.
This split screen video appropriates the infamous celebrity sex tape of Pamela Anderson and Tommy Lee on their honeymoon, showing the action as it was taped and in reverse.
TV Party features the opening credits of classic television shows created with a collage editing technique.
An injured Woodcock in midtown Manhattan is a metaphor for the death of Dimebag Darrell. The riff from Pantera's song "Walk" provides the soundtrack.
24 Second Psycho appropriates the entire Alfred Hitchcock movie Psycho and condenses it into twenty-four seconds.
Your Friend features a closely cropped shot of the children's toy Teddy Ruxpin, singing a
duet with his pal Grubby.
Slayer...Slayer...Slayer... is a narrative video recounting the first time I saw the band Slayer after taking LSD.
Utilizing an array of quirky characters, I Win! revels in the idiosyncratic way in which people celebrate winning.
For Modern Day Caveman, I lived in the Islip Art Museum's Carriage House Space twenty-four hours a day, for nine days.
In Beat Down, a boxing nun puppet that I control punches me continuously in the face.
In Omegle Picasso I cam chat with anonymous people under the guise of a vintage photograph of Pablo Picasso.
This split screen video appropriates the infamous celebrity sex tape of Pamela Anderson and Tommy Lee on their honeymoon, showing the action as it was taped and in reverse.
TV Party features the opening credits of classic television shows created with a collage editing technique.
An injured Woodcock in midtown Manhattan is a metaphor for the death of Dimebag Darrell. The riff from Pantera's song "Walk" provides the soundtrack.
24 Second Psycho appropriates the entire Alfred Hitchcock movie Psycho and condenses it into twenty-four seconds.
Your Friend features a closely cropped shot of the children's toy Teddy Ruxpin, singing a
duet with his pal Grubby.
Slayer...Slayer...Slayer... is a narrative video recounting the first time I saw the band Slayer after taking LSD.
Utilizing an array of quirky characters, I Win! revels in the idiosyncratic way in which people celebrate winning.
For Modern Day Caveman, I lived in the Islip Art Museum's Carriage House Space twenty-four hours a day, for nine days.
In Beat Down, a boxing nun puppet that I control punches me continuously in the face.